Archive for Posted by Rabs

New poster for the film directed by Ron Howard and starring Tom Hanks. Opens worldwide May 15th.

angels_and_demons_ver2

What do you think? Discuss.

Categories : Posters
Comments (0)

I went to see I Love You, Man yesterday with my buddy Pat and I had some reasonably high expectations for the film. I mean, the two stars are Paul Rudd and Jason Segel, who over the past three years, have climbed to the top of Hollywood’s comic elite with such side-splitting blockbusters as Knocked Up & Forgetting Sarah Marshall. They (along with Seth Rogen, Jonah Hill & Judd Apatow) have sparked a comedic revolution with their raunchy, outrageous, real and smart R-rated comedies, which have set the bar pretty high for themselves. See them being featured as Comedy’s New Legends in last month’s Vanity Fair. So needless to say, I had very high hopes for I Love You, Man. As I sat down with my medium popcorn and White Cherry Icee (you get all the cherry flavor and no red mouth), after 105 minutes of my cheeks and sides in constant, agonizing pain from laughing, I can tell you that my expectations were met, and then some.

I Love You, Man is about Peter Klaven (Rudd), a real-estate agent in Los Angeles who gets engaged to his girlfriend Zooey (Rashida Jones from The Office). Zooey is so ecstatic about her good news that she calls all her friends to revel in her new happiness. She then hands the phone to Peter and tells him to call his friends…Peter stares at her blankly and realizes that he has no real guy friends to call. The film then takes us on the hilarious ride of Peter trying to find a new best guy friend who can potentially, hopefully, be the best man at his wedding. So he enlists the help of his gay-fitness-trainer younger brother Robbie (Andy Samberg), to set him up on a series of “man dates” to find a buddy to chill with.

These dates obviously go terribly and hilariously bad and Peter is distraught on the difficulty of finding some legit bro-bonding as a mid-30s-year-old. He then finally meets Sydney Fife (Segel), who is using Peter’s open house showing of Lou Ferrigno/The Incredible Hulk’s Hollywood mansion to pick up “desperate Orange County cougars.” After Sydney explains a “play-by-play” of how one of Peter’s potential buyers needs to fart and is “trying to keep it in because he can’t fart in front of the girl he’s trying to bang,” Peter is blown away by Sydney’s bluntness and observational skills of human nature, so they start hanging out as bros.

This is a classic case of the odd couple, but in a format that hasn’t really been explored before. Peter is extremely uptight, reserved and feminine; while Sydney is blunt, abrasive and machoesque. Now, the contrasting of these qualities between two main characters has been executed, but not in the ways of the “bromance.” I Love You, Man reveals the dirty, raunchy, sloppy and hilarious world of true male bonding. Peter didn’t have this type of bonding in his life, so Sydney teaches him to open up about masturbation (by showing him his “jerk-off station”), sex, relationships and a man’s need to hit up a jam sesh…”slappin’ the bass” occasionally. He provides a bro-sanctuary for Peter to open up about his relationship with Zooey, including Peter’s divulging of his non-existent oral sex reception, that he gives her six times a week (which makes for an extremely awkward and hysterical dinner toast at the engagement party).

The real thing that makes this movie work and what makes it so funny, is Rudd and Segel. Paul Rudd has been a dependable supporting/character actor for almost two decades and its only over the past four years that he’s really been able to flex his comedic muscles. In I Love You, Man he plays the character with lovable, yet pathetic charisma, while throwing in some off-the-wall goofiness, that is hysterical. Then you have Segel who demands the screen everytime he is on with his droll, rationale, womanizing cockiness, which is somewhat of a break from the sweetheart persona he gave us in Freaks and Geeks and Forgetting Sarah Marshall, but funny as hell all the same. These two play off of eachother very well and you can tell they probably had a lot of fun doing it.

My only nit-pick with the film is that Rashida Jones is very pretty, nice and sweet, but displays a slightly noticeable lack of chemistry with Paul Rudd, which is not bad, it’s just noticeable. But the movie is so F’n funny that it’s a moot point. There are also some killer cameos that make this a truly epic comedy ensemble including: Jamie Presley, J.K. Simmons, Rob Huebel and Thomas Simmons (Reno 911). Jon Favreau even takes some time off from directing the Iron Man franchise to play a complete asshole, who also happens to be involved in one of the funniest vomiting scenes I’ve ever witnessed.

I won’t give away the ending, but it’s a romantic comedy. If you haven’t figured out by now that all rom-coms end up okay in the end…well you’re an idiot and you shouldn’t be reading this and you shouldn’t be watching movies. Anyway, I Love You, Man is absolutely hilarious and I plan on seeing again at least once more in the theater.

What Should You Do? See it twice!

3.5 out of 4 STARZ

Categories : Reviews
Comments (4)

USA Today has the first exclusive sit down with director Spike Jonze. The first official trailer is due out sometime this week. NOICE!

What do you think? Discuss.

Categories : News
Comments (0)

Let me give a little back story on this whole deal. When it was announced by Warner Bros. a month ago that Christopher Nolan was going to take a break between The Dark Knight and “Batman 3″ and direct another movie, I was relieved. Comic-book movies are so profitable now, studios are trying to get them out ASAP. But Nolan is an auteur, a true filmmaker who does not bend to the will of the suit and he actually writes the scripts for the movies he directs; which only a handful do now days.


While Warner Bros. would have loved for him to jump on “Batman 3” right after the Oscars, they instead allowed him to broaden his artistic horizons by green-lighting his next film and his first attempt at science fiction titled Inception. The film is described as “a sci-fi-actioner set within the architecture of the mind” THAT NOLAN WROTE and just signed Leonardo DiCaprio to take the lead role.

I mean how bad-ass is that? Nolan and Leo? TOGETHER?!?! There are no words to describe the awesomeness. They then set the release date for July 16, 2010…the same day as Marvel Studios was set to release Thor, their new superhero-slated flick. Marvel just announced last week a long-term strategy to create quality in their upcoming superhero flicks by taking their time (aka doing what Nolan did with TDK). So Thor is now pushed back a year later to 2011. So Inception was all by itself on July 16, set to dominate the box-office and Nolan would score for WB again, right?

DAMN YOU NIC CAGE AND SUCKHEIMER!

(From left: Leo, Nolan, Suckheimer)

If you haven’t noticed by now Disney has a two-way freakfest going on with mega-producer Jerry Bruckheimer (behind such gems like Armageddon, Con Air and the Pirates franchise), because he can take family-friendly properties, whore them out with explosions, cheesy one-liners and yes NICHOLAS CAGE!!

So that brings us to today. Disney is making a live-action film based off of The Sorcerer’s Apprentice from Fantasia and guess who is producing? Bruckheimer. Guess who is starring? Cage. Guess when the release date is? JULY 16, 2010!

Now obviously there’s always competition at the box-office now days, since they release like 20 movies a week, but the fact that a mind-numbing, explosion whore like Bruckheimer is going to take away potential cash money from an actual film maker like Christopher Nolan because every parent in America is going to take Timmy & Sally enrages me. I don’t know, am I way off or do I make some points?

What do you think? Discuss.

Categories : News, Rants
Comments (1)

The final trailer for the movie that kicks of an epic month at the theaters.
Opens everywhere May 1st

What do you think? Discuss.

Categories : Trailers
Comments (0)

GRADE: A-

What if the cute girl that moved in next door, who you have a crush on, turned out to be a blood-sucking vampire? You’d probably be surprised. That’s the question that 12 year-old Oskar had to answer in Let The Right One In. It’s a Swedish film that has created serious buzz as being “not your average vampire movie.”

Oskar lives in Stockholm and goes to school like every other kid. His parents are divorced and he lives with his mother in a cramped apartment. Oskar keeps to himself, which makes him a prime target for bullies. Then drops in Eli, the “new girl” who moves in next door to Oskar who is also “12 years-old” (psssst she’s actually really old because she’s a vampire).

As we have all become experts in the mythos of vampire lore, Eli must drink blood to survive and cannot go out during the day, unless she wants to get torched by the sun. There are several mysterious murders in their town where the victim’s blood is drained from their body, and a “little girl” seems to always be near the crime scene. The story plays out as Eli and Oskar’s relationship progresses to the point of love and them dealing with the physical and emotional barriers that are inevitably created due to Eli’s blood-sucking condition.

Eli’s rage and hunger that occurs when she needs a fix and the lengths that she goes to, to protect Eli (the bullies), by using her super-human abilities is shocking and haunting. The direction is so very precise and graceful, that you can’t help but get sucked into the story (no pun intended). At times the Swedish language can be distracting, which makes it hard to concentrate, but you get used to it.

With all the Blades, the Underworlds, the Twilights, blah blah blah…It’s really nice to see filmmakers create a vampire film that makes you jump, cringe and warm your heart all at the same time. It’s refreshing to see and feel such genuine elements of true emotion come through such a familiar premise. The Departures won Best Foreign Film at this year’s Oscars? Challenge

What should you do? Definitely rent it.

Categories : Reviews
Comments (1)

He’s the genius who brought us Terminator 1 & 2. He’s the sci-fi master behind Aliens, The Abyss & Total Recall…And he directed, wrote and produced the biggest film in Hollywood history…you know, that one about the ship and the ice berg. His visions are so grand and ambitious in scale that he only makes 1 or 2 films a decade. In 2009 Mr. Cameron is going to unleash Avatar upon the world. It’s a futuristic, sci-fi epic about a band of humans pitted in a battle against a distant planet’s indigenous population Sounds pretty cool huh? But it’s the cutting-edge, revolutionary technology that Cameron used to make this film that is going to be an industry game-changer.

(Cameron on the set of Avatar with star Sam Worthington)

Over the past couple of years, we’ve seen America’s rejuvenated kinship with 3-D movies. There was Beowulf a couple years ago, then this year we had My Bloody Valentine 3-D and Coraline. With original story ideas becoming more and more scarce and with the ever-increasing number of sequels and remakes, 3-D is a technology that filmmakers are utilizing to re-engage movie-going audiences.

Digital 3-D is blowing up and Hollywood’s directors and studios are jumping on the band-wagon. As Time Magazine reports, a dozen 3-D movies are slated to arrive this year, with dozens more in the works for 2010 and beyond. Not only is it affecting how movies are made, but it is inevitably going to affect how they are shown. Slowly, but surely, movie theaters are attempting to convert to digital projection, and Avatar could be the last push that theater owners need to completely convert to digital. Digital 3-D is crystal clear, engaging technology that’s going to become a serious Hollywood trend. But it’s the cutting-edge, futuristic, government-type shit that Cameron used for Avatar that’s truly going to be mind blowing. The movie fuses two unrelated technologies–e-motion capture, which uses images from tiny cameras rigged to actors’ heads to replicate their expressions, and digital 3-D. From reporters and insiders that have seen bits and pieces of footage have said that they couldn’t tell what was real and what was not.

The release date for Avatar is December 18, 2009, only 8 months away. It’s not that much longer to wait, considering the film has been in the works for nearly a decade, has a budget of over $300 million and has over a thousand people working on it. All I can say is bring it on James!

What do you think? Discuss

Categories : News
Comments (1)
Mar
24

Trailer Trash: “Star Trek”

Posted by: | Comments (0)

This is a few weeks old, and I’m no Trekkie, but this movie looks so F’n epic.

What do you think? Discuss.

Categories : Trailers
Comments (0)

The movie studio becomes the first to use Twitter or any other “micro-blogging” site to release “exclusive content.” They revealed this poster to all of their followers It’s very interesting to hear Twitter being utilized for mass marketing purposes, but Crank 2 is gonna suck and this poster does too.

What do you think? Discuss.

Categories : News
Comments (0)

Remember reading the book Where The Wild Things Are when you were a kid? Well I do. It’s now finally being made into a feature film, directed by Spike Jonze (Director of Adaptation and Being John Malkovich). Needless to say it looks very intriguing.

What do you think? Discuss.

Categories : Posters
Comments (1)